Kimbra vows review pitchfork
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The final version gained pace with the introduction of an odd clapping rhythm and then a fully-fledged beat created by pop producer M-Phazes.The song initially had no chart impact but was picked up by celebrity blogger Perez Hilton, who wrote: “If you like Nina Simone, Florence & the Machine and/or Björk, then we think you will enjoy Kimbra – her music reminds us of all those fierce ladies!”
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She’d layered up vocals in a doo-wop style, though didn’t get as far as writing the chorus. The first single ‘Settle Down’ was one that Kimbra wrote as an a cappella experiment on her school’s 8-track. In Melbourne, Kimbra began working on her debut album, recording basic tracks at home and then bringing them to completion in the studio with Australian music engineer François Tétaz. The same year she also appeared on her first hit – singing a guest vocal on the chorus of Nesian Mystik song, ‘Mr Mista’, which reached No.3 on the New Zealand charts. In 2008, Kimbra performed at Christian music festival Parachute, and then relocated to Melbourne to work on her first single for Forum 5. Within a week of discovering Kimbra’s music, he flew to New Zealand to see her perform and signed a management deal with her soon after. He moved to Melbourne and started his own label, Forum 5. He helped a young Jamiroquai get his career started and he had worked with many big stars, but had become disillusioned with the narrow-minded nature of the UK scene. The song reached the ears of Mark Richardson, an experienced music industry veteran who’d worked in the UK for over two decades. It won the best breakthrough category at the awards held by Juice TV. Kefali’s drawings spread up the wall behind her, while Kimbra sat in the foreground playing subtly jazz-influenced chords and delivering a warm, soulful vocal. Her second single, ‘Simply On My Lips’, pushed her career forward, helped along by a quirky video by a young Joel Kefali (who went on to be an award-winning music video maker). It was a fairly standard mid-tempo, guitar-driven pop song, though it sounded as polished as any other track you might hear on commercial radio at the time.
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Kimbra released her first single, ‘Deep For You’, at age 16 under her full name, Kimbra Johnson. She borrowed the school’s Boss 8-track recorder to practise building a song from the ground up by recording each part in turn. Her vocal range expanded through her involvement in Scat, the school jazz choir, and guitar lessons led her to more interesting chord progressions, especially jazz inversions and 7th/9th chords that became a central part of her early sound. She won a national award for women’s musicianship, which gave her mentoring sessions with Anika Moa and Anna Coddington.
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Kimbra attended Hillcrest High School and came second in the Rockquest finals during her second year there – she also made the final six the following year. Kimbra’s notoriety was spreading and while still only 12 years old she was given the opportunity to sing the national anthem at the final of the NPC rugby competition in front of a crowd of 27,000. Her father bought her a guitar and she began coming up with chords to go with all the lyrics she’d written. Kimbra already had her own group, Solitude, and Diprose’s visit gave her another chance to try recording one of her own songs (even adding a confident harmony to her own main vocal). In her second year of Berkley Normal Middle School (a Hamilton intermediate) the school hosted a tutor sent by the NZ Music Commission – Chris Diprose, a local hardcore musician who ran his own studio, Dudley Studios. The resulting song, ‘Smile’, was then turned into a music video. Best of all, she was given the chance to pick one of her own songs (she now had a notebook full of them) to record with Rikki Morris and Stephen Small at Devonport studio, The Bus.
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This involved having a lesson with a professional vocal coach, talking songwriting with Anika Moa, and visiting a ZM radio studio.
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By the following year, she was picked to sing in front of a large audience at the Waikato Times Gold Cup, a horse racing event.Īt 11 years old, Kimbra was given her own short slot on children’s TV show, What Now?, where she explored the process of becoming a pop star. Kimbra had her first public gig at nine years old, performing at the JBC (now Nivara Lounge) in her hometown of Hamilton. Instead, it was Kimbra Lee Johnson herself who began singing songs into a Dictaphone at eight years old and discovered her lifelong passion for songwriting. They were music fans but didn’t try to push her in that direction.
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Her father worked as a doctor, her mother a nurse. Nothing in Kimbra’s family background pointed towards the musical success story she would become.